Senin, 31 Desember 2012

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Spanish for Business and Finance Enhanced Edition: The Basic Spanish Series (World Languages), by Ana Jarvis, Raquel Lebredo, Francisco Me

THE BASIC SPANISH SERIES, SPANISH FOR BUSINESS AND FINANCE, Enhanced Second Edition, is a communication manual designed to serve those in the world of business who seek basic conversational skills in Spanish. This worktext introduces essential business vocabulary and "Notas culturales" written from a cross-cultural perspective. It provides students with opportunities to apply, in a wide variety of practical contexts, the grammatical structures presented in the corresponding lessons of the BASIC SPANISH core text.

  • Sales Rank: #1020634 in Books
  • Published on: 2013-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .60" w x 8.50" l, 1.85 pounds
  • Binding: Paperback
  • 400 pages

Review
Leccion preliminar. Conversaciones breves (Brief conversations). Structures from Basic Spanish Grammar: 1. Gender and number. 2. The definite and indefinite articles. 3. Subject pronouns. 4. The present indicative of ser. 5. Cardinal numbers 0-39. Business Communication: Greetings, farewells, and introductions in personal and telephone interaction with other people. 1. El viaje de negocios. Structures from Basic Spanish Grammar: 1. The present indicative of regular--ar verbs. 2. Interrogative and negative sentences. 3. Forms and position of adjectives. 4. Telling time. 5. Cardinal numbers 300-1,000. 6. Uses of hay. Business Communication: Travelling by plane- making plane reservations--arriving in a foreign country. 2. En dos aeropuertos mexicanos. Structures from Basic Spanish Grammar:1. Agreement of adjectives, nouns, and adjectives. 2. The present indicative of regular--er and--ir verbs 3. Possession with de. 4. Possessive adjectives. 5. The personal a. Business Communication: Dealing with immigration officers and custom inspectors. Exchanging dollars for foreign currencies. 3. En el hotel. Structures from Basic Spanish Grammar: 1. The irregular verbs ir, dar, and estar. 2. Ir a+ infinitive. 3. Uses of the verbs ser and estar. 4. Contractions. Business Communication: Making hotel reservations. Giving personal and credit card information. Complaining about hotel accommodations. 4. Las comidas. Structures from Basic Spanish Grammar: 1. The irregular verbs tener and venir. 2. Expressions with tener. 3. Comparative forms. 4. Irregular comparative forms. Business Communication: Dining at a restaurant. Finding information about typical local food. Asking about the ingredients and preparation of food. 5. Comprando para importer. Structures from Basic Spanish Grammar: 1. Stem-changing verbs (e:ie). 2. Some uses of the definite article. 3. The present progressive. Business Communication:Importing goods; making an appointment to buy goods abroad; Conducting a subsequent interview. Inquiring about the quality and prices of goods and about payment terms. Repaso (Lecciones 1-5). 6. Vendiendo para exporter. Structures from Basic Spanish Grammar:1. Stem-changing verbs (o:ue). 2. Affirmative and negative expressions. 3. Pronouns as object of a preposition. 4. Direct object pronouns. Business Communication: Visiting with a prospective client in a Latin American country. Negotiating to sell merchandise to be exported from the United States. 7. Medios de comunicacion. Structures from Basic Spanish Grammar: 1. Stem-changing verbs (e:i). 2. Irregular first-person forms. 3. Saber contrasted with conocer. 4. Indirect object pronouns. Business Communication: Inquiring about the availability of communication facilities in a foreign country. How to procure and use communication facilities. 8. El transporte de pasajeros. Structures from Basic Spanish Grammar: 1. Pedir contrasted with preguntar. 2. Special construction with gustar, doler, and hacer falta. 3. Demonstrative adjectives and pronouns. 4. Direct and indirect object pronouns used together. Business Communication: Using different means of passenger transportation; Taking a bus or a taxi; Renting a car; Requirements for renting and driving a car in a foreign country. 9. El transporte de mercancias. Structures from Basic Spanish Grammar: 1. Possessive pronouns. 2. Reflexive constructions. 3. Command forms: Ud. and Uds. 4. Uses of object pronouns with command forms. Business Communication: Transporting merchandise by air, train, or truck; Old problems and new solutions regarding the transportation of merchandise between two countries. 10. Contratando personal. Structures from Basic Spanish Grammar: 1. The preterit of regular verbs. 2. The preterit of ser, ir and dar. 3. Uses of por and para. Business Communication: Conducting an interview when hiring personnel. Repaso (Lecciones 6-10). 11. La contabilidad de la empresa (I). Structures from Basic Spanish Grammar: 1. Time expressions with hacer. 2. Irregular preterits. 3. The preterit of stem-changing verbs (e:i and o:u). 4. Command forms: tu. Business Communication: Dealing with accounting and accountants. 12. La contabilidad de la empresa (II). Structures from Basic Spanish Grammar: 1. En and a as equivalents of at. 2. The imperfect tense. 3. The past progressive. 4. The preterit contrasted with the imperfect. Business Communication: Dealing with accounting and accountants. 13. El impuesto sobre la renta. Structures from Basic Spanish Grammar: 1. Changes in meaning with the imperfect and preterit of conocer, saber, and querer. 2. Hace meaning ago 3. Uses of se. 4. 'Que? and 'Cual? used with ser. Business Communication: Preparing an income tax return for a Spanish speaker with limited or no knowledge of English. 14. En la agencia de publicidad. Structures from Basic Spanish Grammar: 1. The past participle. 2. The present perfect tense. 3. The past perfect (pluperfect) tense. Business Communication: Determining a client's advertising needs; Working in sales at a department store. 15. Abriendo cuentas. Structures from Basic Spanish Grammar: 1. The future tense. 2. The conditional tense. 3. Some uses of the prepositions a, de, and en. Business Communication: Helping customers at the bank. Repaso (Lecciones 11-15). 16. Solicitando prestamos. Structures from Basic Spanish Grammar: 1. The present subjunctive. 2. The subjunctive with verbs of volition. 3. The absolute superlative. Business Communication: Informing bank customers about different types of loans. 17. Comprando una casa. Structures from Basic Spanish Grammar: 1. The subjunctive to express emotion. 2. The subjunctive with some impersonal expressions. 3. Formation of adverbs. Business Communication: Advising clients about the purchase or sale of real estate; refinancing properties. 18. Alquilando un local commercial. Structures from Basic Spanish Grammar: 1. The subjunctive to express doubt, disbelief, and denial. 2. The subjunctive to express indefiniteness and nonexistence. 3. Diminutive suffixes. Business Communication: Renting commercial space. 19. Vendiendo y comprando seguros. Structures from Basic Spanish Grammar: 1. The subjunctive after certain conjunctions. 2. The present perfect subjunctive. 3. Uses of the present perfect subjunctive. Business Communication: Selling insurance to a Spanish-speaking prospective client. 20. En el bufete de una abogada. Structures from Basic Spanish Grammar: 1. The imperfect subjunctive. 2. Uses of the imperfect subjunctive. 3. If clauses. Business Communication: Talking about Latin American business; Debating free trade agreements; Using facts to support your arguments. Repaso (Lecciones 16-20). Appendix A: Introduction to Spanish Sounds and the Alphabet. Appendix B: Verbs. Appendix C: Useful Classroom Expressions. NEW Appendix D: Mas sobre el tema. Appendix E: Weights and Measures. Spanish-English Vocabulary. English-Spanish Vocabulary.

About the Author
Ana C. Jarvis, a native of Paraguay, was born in Asuncion and attended school in Buenos Aires, Argentina. She received her Ph.D. in Spanish from the University of California, Riverside, in 1973. Dr. Jarvis retired from Chandler-Gilbert Community College after a long and distinguished career. Prior to CGCC, she taught at Mesa Community College; the University of California, Riverside; San Bernardino Valley College; Brigham Young University; and Riverside City College. In addition to authoring numerous Spanish textbooks, she has published several short stories in Spanish. In 1988, she was chosen as "Faculty Member of the Year" at Chandler-Gilbert Community College.

Raquel Lebredo was born in Camaguey, Cuba. She attended school in Havana and later enrolled at the University of Havana, where she received a Ph.D. in Education. She was subsequently employed as an elementary school principal, and taught literature and language at a preparatory school in Havana. She moved to the United States after living in Spain for a period of time. Dr. Lebredo was awarded a Ph.D. in Spanish from the University of California, Riverside. Since then, she has taught Spanish at Claremont Graduate School, Crafton Hills College, the University of Redlands, and California Baptist University, and has authored several Spanish textbooks. In 1985, she was chosen as "Faculty Member of the Year" by the student body at California Baptist University, and in 1991 she received a YWCA "Women of Achievement" award.

Francisco Mena-Ayllon, a native of Madrid, Spain, received his Ph.D. in Spanish from the University of California, Riverside, in 1973. He has taught Spanish language and literature courses at the University of California, Riverside; Oberlin College; California State University, Chico; the University of Redlands; and Crafton Hills College. In addition to authoring numerous Spanish textbooks in the United States, he has published a book about Federico Garcia Lorca and several volumes of his own poetry. His poetry has been published in Spain, Latin America, and the United States. His work has also been included in several anthologies of contemporary Spanish poets, and he is listed in Quien es Quien en las Letras Espanolas, 1978 (Who's Who in Spanish Letters), as an important contributor to contemporary Spanish literature. Professor Mena-Ayllon is now retired.

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1 of 2 people found the following review helpful.
Basic spanish
By julianne glebus
The book was in good shape! I will enjoy this semester learning Spanish and I know now the I have a good tool to help me learn

0 of 1 people found the following review helpful.
Five Stars
By Heidi Hanson
Perfect

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Minggu, 30 Desember 2012

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  • Sales Rank: #479371 in Books
  • Published on: 2013-04-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.72" h x 8.21" w x 10.88" l, 5.78 pounds
  • Binding: Paperback
  • 1512 pages

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A landscape painting guide for oil painters that breaks landscapes down into component elements from nature, and showcases tools and techniques used by classic and modern oil painters for bringing these scenes to life.
     Landscape painting is one of the most popular subjects for painters working in the medium of oils--from classic masters to contemporary artists. In The Elements of Landscape Oil Painting, established Watson-Guptill author and noted instructor/painter Suzanne Brooker presents the fundamentals necessary for mastering landscape oil painting, breaking landscapes down into component parts: sky, terrain, trees, and water. Each featured element builds off the previous, with additional lessons on the latest brushes, paints, and other tools used by artists. Key methods like observation, rendering, and color mixing are supported by demonstration paintings and samples from a variety of the best landscape oil painters of all time. With The Elements of Landscape Oil Painting, oil painters looking to break into landscape painting or enhance their work will find all the necessary ingredients for success.

  • Sales Rank: #28134 in Books
  • Published on: 2015-08-18
  • Released on: 2015-08-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.29" h x .81" w x 9.30" l, .0 pounds
  • Binding: Hardcover
  • 208 pages

About the Author
SUZANNE BROOKER received her BFA at the California Institute of the Arts in 1979, attended by invitation the Whitney Museum Independent Study program in New York City, and pursued her drawing studies at the School of Visual Arts. In 1990 Brooker returned to the West Coast and studied life drawing with Gary Faigin at the Gage Academy of Art and completed her MFA in figurative painting under Domenic Cretera at California State University, Long Beach. The author of Portrait Painting Atelier (2011), Brooker currently paints and teaches drawing and painting at the Gage Academy.

Most helpful customer reviews

32 of 32 people found the following review helpful.
Good organization, real practical tips, and a beautiful collection of landscape paintings from many artists
By Toonie R
Many artists limit their selection of paintings in their books to their own works. This book, in contrast, includes the artist's own works (particularly when she is showing, step by step, how she goes about painting), but also works from many other magnificent landscape artists. (In fact, this book first came to my attention because the cover features a work by Renato Muccillo). The paintings are very well selected to illustrate particular points she's making. I love that the instruction in this book encompasses both the big picture and the nitty gritty (such as brush techniques). While many art books are geared to beginners, this is an excellent art book that I believe has a lot to offer even for advanced painters. I consider myself intermediate, and it's perfect for me.

21 of 23 people found the following review helpful.
Pair with Albala and Carlson, and you have everything you need on landscape painting technique
By Harold Roth
I would put this together with Mitchell Albala's book in terms of helpfulness and beautiful images (and in fact Albala has a couple of paintings in this one, and I love his work, but I especially enjoyed the works here by Renato Muccillo). Although I paint in acrylics, not oils, I've been struggling with techniques I relied on in watercolor that don't work as well in acrylic. Most acrylic painting books seem to focus on gimmicks like gold leaf or carving shapes in gesso, and that is not what I want to do. I've looked at some other books on oil painting but they often relied on wet-in-wet and/or painterly techniques, which is not something I want to do with acrylics. I could see right away that this book gives many examples of the painter working over a dry layer, which is what I do, so these are techniques I can use. I have seen many examples of so-called Old Master type painting that involves toning the support, but I had not seen any colors used for that besides grays and earths. This is the first time I saw someone toning with cadmium orange. Right away I wanted to try that. I also appreciated the description of a flake white hue made from 1 parts titanium and 2 parts zinc. I have just begun working with white (since it's a no-no in watercolor, I never used it until the past year or so), and this formulation I will definitely try. The step-by-step paintings of clouds are especially helpful. Lots of good stuff here!

0 of 0 people found the following review helpful.
In The Middle
By Stuart Schulz
This book begins slowly, seemingly buried under a thick layer of verbiage and beautiful thoughts, without much practical application. Like music, you just can't read about art technique for long without dozing off. I almost gave up, thinking she might make a better writer than painter. But the quality of the art led me on, and by the middle of the book, the author stopped talking and started showing, and the book suddenly came alive...her observations and suggestions were first class, even for me--a long-term landscapist. I think next time she should just drop the first fifty pages and begin "in medias res" as the Greeks used to say, or maybe the Zoroastrians, I forget.

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