Senin, 31 Desember 2012

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Spanish for Business and Finance Enhanced Edition: The Basic Spanish Series (World Languages), by Ana Jarvis, Raquel Lebredo, Francisco Me

THE BASIC SPANISH SERIES, SPANISH FOR BUSINESS AND FINANCE, Enhanced Second Edition, is a communication manual designed to serve those in the world of business who seek basic conversational skills in Spanish. This worktext introduces essential business vocabulary and "Notas culturales" written from a cross-cultural perspective. It provides students with opportunities to apply, in a wide variety of practical contexts, the grammatical structures presented in the corresponding lessons of the BASIC SPANISH core text.

  • Sales Rank: #1020634 in Books
  • Published on: 2013-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .60" w x 8.50" l, 1.85 pounds
  • Binding: Paperback
  • 400 pages

Review
Leccion preliminar. Conversaciones breves (Brief conversations). Structures from Basic Spanish Grammar: 1. Gender and number. 2. The definite and indefinite articles. 3. Subject pronouns. 4. The present indicative of ser. 5. Cardinal numbers 0-39. Business Communication: Greetings, farewells, and introductions in personal and telephone interaction with other people. 1. El viaje de negocios. Structures from Basic Spanish Grammar: 1. The present indicative of regular--ar verbs. 2. Interrogative and negative sentences. 3. Forms and position of adjectives. 4. Telling time. 5. Cardinal numbers 300-1,000. 6. Uses of hay. Business Communication: Travelling by plane- making plane reservations--arriving in a foreign country. 2. En dos aeropuertos mexicanos. Structures from Basic Spanish Grammar:1. Agreement of adjectives, nouns, and adjectives. 2. The present indicative of regular--er and--ir verbs 3. Possession with de. 4. Possessive adjectives. 5. The personal a. Business Communication: Dealing with immigration officers and custom inspectors. Exchanging dollars for foreign currencies. 3. En el hotel. Structures from Basic Spanish Grammar: 1. The irregular verbs ir, dar, and estar. 2. Ir a+ infinitive. 3. Uses of the verbs ser and estar. 4. Contractions. Business Communication: Making hotel reservations. Giving personal and credit card information. Complaining about hotel accommodations. 4. Las comidas. Structures from Basic Spanish Grammar: 1. The irregular verbs tener and venir. 2. Expressions with tener. 3. Comparative forms. 4. Irregular comparative forms. Business Communication: Dining at a restaurant. Finding information about typical local food. Asking about the ingredients and preparation of food. 5. Comprando para importer. Structures from Basic Spanish Grammar: 1. Stem-changing verbs (e:ie). 2. Some uses of the definite article. 3. The present progressive. Business Communication:Importing goods; making an appointment to buy goods abroad; Conducting a subsequent interview. Inquiring about the quality and prices of goods and about payment terms. Repaso (Lecciones 1-5). 6. Vendiendo para exporter. Structures from Basic Spanish Grammar:1. Stem-changing verbs (o:ue). 2. Affirmative and negative expressions. 3. Pronouns as object of a preposition. 4. Direct object pronouns. Business Communication: Visiting with a prospective client in a Latin American country. Negotiating to sell merchandise to be exported from the United States. 7. Medios de comunicacion. Structures from Basic Spanish Grammar: 1. Stem-changing verbs (e:i). 2. Irregular first-person forms. 3. Saber contrasted with conocer. 4. Indirect object pronouns. Business Communication: Inquiring about the availability of communication facilities in a foreign country. How to procure and use communication facilities. 8. El transporte de pasajeros. Structures from Basic Spanish Grammar: 1. Pedir contrasted with preguntar. 2. Special construction with gustar, doler, and hacer falta. 3. Demonstrative adjectives and pronouns. 4. Direct and indirect object pronouns used together. Business Communication: Using different means of passenger transportation; Taking a bus or a taxi; Renting a car; Requirements for renting and driving a car in a foreign country. 9. El transporte de mercancias. Structures from Basic Spanish Grammar: 1. Possessive pronouns. 2. Reflexive constructions. 3. Command forms: Ud. and Uds. 4. Uses of object pronouns with command forms. Business Communication: Transporting merchandise by air, train, or truck; Old problems and new solutions regarding the transportation of merchandise between two countries. 10. Contratando personal. Structures from Basic Spanish Grammar: 1. The preterit of regular verbs. 2. The preterit of ser, ir and dar. 3. Uses of por and para. Business Communication: Conducting an interview when hiring personnel. Repaso (Lecciones 6-10). 11. La contabilidad de la empresa (I). Structures from Basic Spanish Grammar: 1. Time expressions with hacer. 2. Irregular preterits. 3. The preterit of stem-changing verbs (e:i and o:u). 4. Command forms: tu. Business Communication: Dealing with accounting and accountants. 12. La contabilidad de la empresa (II). Structures from Basic Spanish Grammar: 1. En and a as equivalents of at. 2. The imperfect tense. 3. The past progressive. 4. The preterit contrasted with the imperfect. Business Communication: Dealing with accounting and accountants. 13. El impuesto sobre la renta. Structures from Basic Spanish Grammar: 1. Changes in meaning with the imperfect and preterit of conocer, saber, and querer. 2. Hace meaning ago 3. Uses of se. 4. 'Que? and 'Cual? used with ser. Business Communication: Preparing an income tax return for a Spanish speaker with limited or no knowledge of English. 14. En la agencia de publicidad. Structures from Basic Spanish Grammar: 1. The past participle. 2. The present perfect tense. 3. The past perfect (pluperfect) tense. Business Communication: Determining a client's advertising needs; Working in sales at a department store. 15. Abriendo cuentas. Structures from Basic Spanish Grammar: 1. The future tense. 2. The conditional tense. 3. Some uses of the prepositions a, de, and en. Business Communication: Helping customers at the bank. Repaso (Lecciones 11-15). 16. Solicitando prestamos. Structures from Basic Spanish Grammar: 1. The present subjunctive. 2. The subjunctive with verbs of volition. 3. The absolute superlative. Business Communication: Informing bank customers about different types of loans. 17. Comprando una casa. Structures from Basic Spanish Grammar: 1. The subjunctive to express emotion. 2. The subjunctive with some impersonal expressions. 3. Formation of adverbs. Business Communication: Advising clients about the purchase or sale of real estate; refinancing properties. 18. Alquilando un local commercial. Structures from Basic Spanish Grammar: 1. The subjunctive to express doubt, disbelief, and denial. 2. The subjunctive to express indefiniteness and nonexistence. 3. Diminutive suffixes. Business Communication: Renting commercial space. 19. Vendiendo y comprando seguros. Structures from Basic Spanish Grammar: 1. The subjunctive after certain conjunctions. 2. The present perfect subjunctive. 3. Uses of the present perfect subjunctive. Business Communication: Selling insurance to a Spanish-speaking prospective client. 20. En el bufete de una abogada. Structures from Basic Spanish Grammar: 1. The imperfect subjunctive. 2. Uses of the imperfect subjunctive. 3. If clauses. Business Communication: Talking about Latin American business; Debating free trade agreements; Using facts to support your arguments. Repaso (Lecciones 16-20). Appendix A: Introduction to Spanish Sounds and the Alphabet. Appendix B: Verbs. Appendix C: Useful Classroom Expressions. NEW Appendix D: Mas sobre el tema. Appendix E: Weights and Measures. Spanish-English Vocabulary. English-Spanish Vocabulary.

About the Author
Ana C. Jarvis, a native of Paraguay, was born in Asuncion and attended school in Buenos Aires, Argentina. She received her Ph.D. in Spanish from the University of California, Riverside, in 1973. Dr. Jarvis retired from Chandler-Gilbert Community College after a long and distinguished career. Prior to CGCC, she taught at Mesa Community College; the University of California, Riverside; San Bernardino Valley College; Brigham Young University; and Riverside City College. In addition to authoring numerous Spanish textbooks, she has published several short stories in Spanish. In 1988, she was chosen as "Faculty Member of the Year" at Chandler-Gilbert Community College.

Raquel Lebredo was born in Camaguey, Cuba. She attended school in Havana and later enrolled at the University of Havana, where she received a Ph.D. in Education. She was subsequently employed as an elementary school principal, and taught literature and language at a preparatory school in Havana. She moved to the United States after living in Spain for a period of time. Dr. Lebredo was awarded a Ph.D. in Spanish from the University of California, Riverside. Since then, she has taught Spanish at Claremont Graduate School, Crafton Hills College, the University of Redlands, and California Baptist University, and has authored several Spanish textbooks. In 1985, she was chosen as "Faculty Member of the Year" by the student body at California Baptist University, and in 1991 she received a YWCA "Women of Achievement" award.

Francisco Mena-Ayllon, a native of Madrid, Spain, received his Ph.D. in Spanish from the University of California, Riverside, in 1973. He has taught Spanish language and literature courses at the University of California, Riverside; Oberlin College; California State University, Chico; the University of Redlands; and Crafton Hills College. In addition to authoring numerous Spanish textbooks in the United States, he has published a book about Federico Garcia Lorca and several volumes of his own poetry. His poetry has been published in Spain, Latin America, and the United States. His work has also been included in several anthologies of contemporary Spanish poets, and he is listed in Quien es Quien en las Letras Espanolas, 1978 (Who's Who in Spanish Letters), as an important contributor to contemporary Spanish literature. Professor Mena-Ayllon is now retired.

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1 of 2 people found the following review helpful.
Basic spanish
By julianne glebus
The book was in good shape! I will enjoy this semester learning Spanish and I know now the I have a good tool to help me learn

0 of 1 people found the following review helpful.
Five Stars
By Heidi Hanson
Perfect

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Minggu, 30 Desember 2012

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  • Sales Rank: #479371 in Books
  • Published on: 2013-04-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.72" h x 8.21" w x 10.88" l, 5.78 pounds
  • Binding: Paperback
  • 1512 pages

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A landscape painting guide for oil painters that breaks landscapes down into component elements from nature, and showcases tools and techniques used by classic and modern oil painters for bringing these scenes to life.
     Landscape painting is one of the most popular subjects for painters working in the medium of oils--from classic masters to contemporary artists. In The Elements of Landscape Oil Painting, established Watson-Guptill author and noted instructor/painter Suzanne Brooker presents the fundamentals necessary for mastering landscape oil painting, breaking landscapes down into component parts: sky, terrain, trees, and water. Each featured element builds off the previous, with additional lessons on the latest brushes, paints, and other tools used by artists. Key methods like observation, rendering, and color mixing are supported by demonstration paintings and samples from a variety of the best landscape oil painters of all time. With The Elements of Landscape Oil Painting, oil painters looking to break into landscape painting or enhance their work will find all the necessary ingredients for success.

  • Sales Rank: #28134 in Books
  • Published on: 2015-08-18
  • Released on: 2015-08-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.29" h x .81" w x 9.30" l, .0 pounds
  • Binding: Hardcover
  • 208 pages

About the Author
SUZANNE BROOKER received her BFA at the California Institute of the Arts in 1979, attended by invitation the Whitney Museum Independent Study program in New York City, and pursued her drawing studies at the School of Visual Arts. In 1990 Brooker returned to the West Coast and studied life drawing with Gary Faigin at the Gage Academy of Art and completed her MFA in figurative painting under Domenic Cretera at California State University, Long Beach. The author of Portrait Painting Atelier (2011), Brooker currently paints and teaches drawing and painting at the Gage Academy.

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32 of 32 people found the following review helpful.
Good organization, real practical tips, and a beautiful collection of landscape paintings from many artists
By Toonie R
Many artists limit their selection of paintings in their books to their own works. This book, in contrast, includes the artist's own works (particularly when she is showing, step by step, how she goes about painting), but also works from many other magnificent landscape artists. (In fact, this book first came to my attention because the cover features a work by Renato Muccillo). The paintings are very well selected to illustrate particular points she's making. I love that the instruction in this book encompasses both the big picture and the nitty gritty (such as brush techniques). While many art books are geared to beginners, this is an excellent art book that I believe has a lot to offer even for advanced painters. I consider myself intermediate, and it's perfect for me.

21 of 23 people found the following review helpful.
Pair with Albala and Carlson, and you have everything you need on landscape painting technique
By Harold Roth
I would put this together with Mitchell Albala's book in terms of helpfulness and beautiful images (and in fact Albala has a couple of paintings in this one, and I love his work, but I especially enjoyed the works here by Renato Muccillo). Although I paint in acrylics, not oils, I've been struggling with techniques I relied on in watercolor that don't work as well in acrylic. Most acrylic painting books seem to focus on gimmicks like gold leaf or carving shapes in gesso, and that is not what I want to do. I've looked at some other books on oil painting but they often relied on wet-in-wet and/or painterly techniques, which is not something I want to do with acrylics. I could see right away that this book gives many examples of the painter working over a dry layer, which is what I do, so these are techniques I can use. I have seen many examples of so-called Old Master type painting that involves toning the support, but I had not seen any colors used for that besides grays and earths. This is the first time I saw someone toning with cadmium orange. Right away I wanted to try that. I also appreciated the description of a flake white hue made from 1 parts titanium and 2 parts zinc. I have just begun working with white (since it's a no-no in watercolor, I never used it until the past year or so), and this formulation I will definitely try. The step-by-step paintings of clouds are especially helpful. Lots of good stuff here!

0 of 0 people found the following review helpful.
In The Middle
By Stuart Schulz
This book begins slowly, seemingly buried under a thick layer of verbiage and beautiful thoughts, without much practical application. Like music, you just can't read about art technique for long without dozing off. I almost gave up, thinking she might make a better writer than painter. But the quality of the art led me on, and by the middle of the book, the author stopped talking and started showing, and the book suddenly came alive...her observations and suggestions were first class, even for me--a long-term landscapist. I think next time she should just drop the first fifty pages and begin "in medias res" as the Greeks used to say, or maybe the Zoroastrians, I forget.

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The Elements of Landscape Oil Painting: Techniques for Rendering Sky, Terrain, Trees, and Water, by Suzanne Brooker PDF
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Rabu, 28 November 2012

[H522.Ebook] Ebook Star Trek VI The Undiscovered Country (Star Trek), by J.M. Dillard

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Star Trek VI The Undiscovered Country (Star Trek), by J.M. Dillard

Internal pressures, enormous military expenditures, and the destruction of their primary energy source have brought the Klingon Empire to the verge of catastrophic collapse.

To avert disaster, Gorkon, Chancellor of the Klingon High Council, proposes negotiations between the Federation and Klingon Empire, negotiations that will put an end to the years of hostility between the two powers, and herald a new era of peace and cooperation. Captain James T. Kirk and the U.S.S. EnterpriseTM are dispatched to escort the Chancellor safely into Federation space.

But a treacherous assassination brings negotiations to a sudden halt and places Kirk and Dr. McCoy in the hands of the Federation's greatest enemy. With time running out, Spock and the Enterprise crew work to uncover the deadly secret that threatens to propel the galaxy into the most destructive conflict it has ever known.

  • Sales Rank: #1179630 in Books
  • Published on: 1992-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .91" h x 4.07" w x 6.70" l,
  • Binding: Mass Market Paperback
  • 301 pages

From the Publisher
Internal pressures, enormous military expenditures, and the destruction of their primary energy source have brought the Klingon Empire to the verge of catastrophic collapse.

To avert disaster, Gorkon, Chancellor of the Klingon High Council, proposes negotiations between the Federation and Klingon Empire, negotiations that will put an end to the years of hostility between the two powers, and herald a new era of peace and cooperation. Captain James T. Kirk and the U.S.S. EnterpriseTM are dispatched to escort the Chancellor safely into Federation space.

But a treacherous assassination brings negotiations to a sudden halt and places Kirk and Dr. McCoy in the hands of the Federation's greatest enemy. With time running out, Spock and the Enterprise crew work to uncover the deadly secret that threatens to propel the galaxy into the most destructive conflict it has ever known.END

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0 of 0 people found the following review helpful.
excellent book
By Robert Richie
Excellent story, excellent writer. Fills in interesting information in one of the best considered films.

3 of 4 people found the following review helpful.
Star Trek VI The Undiscovered Country A great novelization!
By K. Wyatt
From her first Star Trek novelization, "Star Trek V The Final Frontier," J.M. Dillard has been the "go to" author for Pocket Books when it comes to the novelizations for the movies and the novelization of Star Trek Deep Space Nines pilot episode, "Emissary." This is deservedly so, her work in the novelizations of such important events in the Star Trek genre have been exceptional, and this novel is no exception to that rule.
"Star Trek VI The Undiscovered Country" as a film was an extremely well told story written by Leonard Nimoy, Lawrence Konner and Mark Rosenthal, with the screenplay being written by Nicholas Meyer and Denny Martin Flinn. J.M. Dillard's work in this extraordinary novel not only serves to novelize that original story, it enhances it beyond measure. She does a beautiful job of adding the characters personal thoughts of the events surrounding them and of adding to the story with "between the scenes" sequences that makes this one of her best efforts.
The premise:
The Klingons, having been long time rivals of the Federation whether through open war or unbridled skirmishes have suffered a great catastrophe when Praxis, A Klingon moon suddenly explodes, removing a key energy resource center for the Klingon Empire. Suddenly finding themselves facing too many problems, more or less of their own creation, in which they've spent too much on their military budget and not enough on environmental and other concerns, the Klingon Chancellor, Gorkon must make a decision to sue for peace between the Empire and the Federation.
The main catalyst for that peace turns out to be Captain Spock, who has been working in secret negotiations with Chancellor Gorkon and is now ready to begin those talks in earnest. Spock has managed to secure the use of the Enterprise and Captain Kirk in order to rendezvous with Chancellor Gorkon and escort his ship back to Earth to begin those negotiations.
Here is where the writing of the screenplay and J.M. Dillard's writing kicks into the high gear of intrigue when a conspiracy uncovers itself long enough to fire several torpedoes from the Enterprise and hit Chancellor Gorkon's ship, knocking out their gravity and then two conspirators beam over and murder Chancellor Gorkon and several other Klingons. Captain Kirk and Doctor McCoy both beam over, hoping to be able to help Chancellor Gorkon, but he dies and they're charged with his murder.
What follows from there is nothing less than one of the best stories written in the Star Trek genre and filmed, to date. From political intrigue and an extraordinary space battle to some very humorous moments, "Star Trek VI The Undiscovered Country" hits on all points.
I highly recommend this novelization as it is an excellent addition to your Star Trek library whether you're into the novelizations or not. {ssintrepid}

4 of 5 people found the following review helpful.
GREAT!
By Seref Isler
I am not a TOS reader, but I found this book really exciting! It is by far the best Star Trek book I've ever read. The pace was ideal. There weren't unnecessary details. Everything was straight to the point. I really recommend this book.

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[M524.Ebook] Ebook Download The Dobe Ju/'Hoansi (Case Studies in Cultural Anthropology), by Richard B. Lee

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The Dobe Ju/'Hoansi (Case Studies in Cultural Anthropology), by Richard B. Lee

This classic, bestselling study of the !Kung San, foragers of the Dobe area of the Kalahari Desert describes a people's reactions to the forces of modernization, detailing relatively recent changes to !Kung rituals, beliefs, social structure, marriage and kinship system. It documents their determination to take hold of their own destiny, despite exploitation of their habitat and relentless development to assert their political rights and revitalize their communities. Use of the name Ju/'hoansi (meaning "real people") acknowledges their new sense of empowerment. Since the publication of the Third Edition in 2003, Richard Lee has made eight further trips to the Kalahari, the most recent in 2010 and 2011. The Dobe and Nyae Nyae Areas have continued to transform and the people have had to respond and adapt to the pressures of capitalist economics and bureaucratic governance of the Namibian and Botswana states. This Fourth Edition chronicles and bears witness to these evolving social conditions and their impacts on lives of the Ju/'hoansi.

  • Sales Rank: #60616 in Books
  • Published on: 2012-02-27
  • Released on: 2012-02-27
  • Format: Student Calendar
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.13" h x .73" w x 6.38" l, .83 pounds
  • Binding: Paperback
  • 320 pages

Review
Preface to the Fourth Edition. 1. The Ju/'hoansi. 2. The People of the Dobe Area. 3. Environment and Settlement. 4. Subsistence: Foraging for a Living. 5. Kinship and Social Organization. 6. Marriage and Sexuality. 7. Complaint Discourse: Aging and Caregiving among the Ju/'hoansi. 8. Conflict, Politics, and Exchange. 9. Coping with Life: Religion, World View, and Healing. 10. The Ju/'hoansi and Their Neighbors. 11. Perceptions and Directions of Social Change. 12. The Ju/'hoansi Today. 13. Tsumkwe at 50: The 2010 Social Survey of a Namibian Ju/'hoansi Town. 14. Anthropological Practice and Lessons of the Ju/'hoansi. Postscript: The /Gwihaba Dancers. Appendix A: Eating Christmas in the Kalahari. Appendix B: The Kalahari Debate: Ju/'hoan Images of the Colonial Encounter. Glossary of Ju/'hoan and Other Non-English Terms. Films of the Ju/'hoansi: An Annotated List. References Cited and Recommended Readings. Index.

About the Author
Richard Lee (B.A. and M.A., University of Toronto; Ph. D., University of California, Berkeley) is a professor of anthropology at the University of Toronto and a member of the faculty of the Centre for International Health. He has held academic appointments at Harvard, Rutgers, and Columbia Universities, and research positions at Stanford, the Australian National University, and Kyoto University. His current research interests include the social and cultural aspects of HIV/AIDS, human rights and indigenous peoples, critical medical anthropology gender relations, and the politics of culture. He is internationally known for his studies of hunting-and-gathering societies, particularly the Ju/hoansi-!Kung San of Botswana. His book the !Kung San (1979) was honored by inclusion on a list of the 100 most important works of science of the 20th century by the journal American Scientist (1999, November). A Fellow of the Royal Society of Canada and past president of the Canadian Anthropology Society, Dr. Lee has been awarded honorary doctorates by the University of Alaska and Guelph University for his research and advocacy on behalf of indigenous peoples.

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8 of 8 people found the following review helpful.
Summary of the ethnography
By K. Viles
Richard Lee's ethnography The Dobe Ju/'hoansi is a detailed account of the culture and history of the Ju/'hoan people living in the Dobe area of southern central Africa. The book illustrates both the rich history of the Ju and how the traditions of the past are central in the present, but also the problems facing the Ju/'hoansi as they move toward the future.
The first half of Lee's ethnography focuses mainly on the past and the "present", circa the 1960s, when Lee himself spent time living with the Ju/'hoansi, a practice known as participant observation. The first major element Lee expounds upon is the harsh environment in which the Ju live. The climate consists of very warm, rainy summers (86-104 degrees Fahrenheit) contrasted against moderate, cool winters with no rainfall at all. Because the amount of precipitation can vary as much as 500 percent (Lee 29), droughts are frequent. The severe weather patterns combined with the unforgiving Kalahari Desert influence all other parts of the Ju/'hoansi way of life.
The Ju people are classified by archeologists as hunters and gatherers, moving around multiple times per year instead of living in permanent settlements. Skilled adults can identify as many as 100 species of edible plants (Lee 43) and can "deduce many kinds of information about the animal he is tracking: its species and sex, its age, how fast it is traveling, etc" (Lee 50). The author discovered that the Ju only have to work about 20 hours per week to hunt or gather enough food to sustain the population (Lee 54). I was amazed at this statistic, having previously thought that hunting and gathering took up many more hours per week to feed an entire band.
Lee moves on in the ethnography to discuss the intricate kinship connections the Ju share. Even though groups or camps only consist of about 30 members at a time (Lee 61), they are constantly changing so that the relationships are complex and spread throughout the entire Dobe area. Individual camps are usually made up of core siblings, their spouses, any siblings of their spouses, and finally the spouses of these siblings. The overarching principle of sharing is visible through the social organization of the Ju. Name relationships and kin relationships seem to tie everyone to everyone else in this egalitarian society.
The customs surrounding marriage and sexuality are next in the book, followed by an explanation of the "complaint discourse". Both chapters are very interesting in that they reinforce the classless and equal nature of the Ju/'hoansi society. The second half of the book shifts in focus from the way things have been to how times are changing in the lives of the Ju as more organized institutes, like the states of Namibia and Botswana, encroach upon the ancient tribes.
The most significant change of the Ju culture has been from hunting and gathering to settled farming and the raising of livestock. By planting crops in one area, the mobility of the population is restricted. "It is not as easy for family members to go on an extended foraging trip or to pay visits to relatives at distant camps" (Lee 158). Other Ju/'hoan people have found new ways to make a living in mining, craft making, or well digging. These factors, as well as many other issues have had many repercussions, but the most important effect is the breakdown of sharing among the Ju, a practice and ideal that sustained the culture for hundreds of years. This shift in beliefs and social principles will definitely cause problems for the future survival of the Ju/'hoansi.

9 of 10 people found the following review helpful.
Wonderful
By Raman
I read this book while taking an undergraduate sociocultural anthropology class. Several years later, it still stands out in my mind as a crisp, fair ethnography in a field full of opaque and often pejorative books.

Richard B. Lee's accomplishment here is to balance a scientific and human approach. Realizing how strongly a physical environment can impact a culture, Lee smartly and dispassionately details the basic facts of the Ju/'Hoansi's past and current situation - the geography and ecology of their home in the Kalahari desert, their food supply, etc. On this canvas, he paints a picture of the culture of this people. This sweeps from the physical layout of their camps to their language (including a thorough exposition of those interesting click consonants) to their handling of mortality and sexuality to the privileges and "complaint discourse" of older members of the society. Then Lee qualifies this whole portrait by describing recent developments, including enroachment of other cultures, erosion of the traditional lifestyle, and the dispossession and advocacy that has defined the Ju's recent relationships with the Namibian and Botswanan governments.

What amazed me about all this is that Lee remains tenderly human during this rich exposition. He writes of the Ju with great respect and humbly describes vigniettes of his interaction with his subjects - like when he got his pet name and when he had crushes on various native women. He avoids sentimental exoticism when describing how the culture began to fall apart due to pressures on their territory from Black herders. Instead, he documents the painful transition with precision and observational detail and even finds sources of hope. For example, he connects Ju women's lower-than-average HIV infection rates with the culture's respect for women, arguing that Ju women's assertiveness make them more likely to insist on condom use. Also, rather than arguing that only the old way could be good for the Ju, Lee looks forward, advocating the Ju's integration into the larger society and adaptation of modern land-use patterns.

In this book, Richard Lee shows himself to be one of the rare anthropologists who do a good job portraying their culture of study but resist the possessive urge to lament its change and adaptation over time. For me, it recalls many happy hours reading in college, taking in the sunshine while struggling through all the click consonants. I heartily recommend it.

2 of 2 people found the following review helpful.
The Dobe Jo/'hoansi:
By D. Portannese
Richard Lee's case study examines the lives of the Ju/'hoansi culture by going to the people themselves, asking about their past, while simultaneously investigating their present. The Ju/'hoansi or "Ju" live around the Adobe water holes, in Botswana, which stretch 3,000 square miles. Nearby tribes included from Herero and Tswana, who were Bantu speakers. These tribes had a distinct appearance and an utterly unheard of way of life. Geographically, the Dobe region incorporated four types of habitats- dunes, flats, melapo, and hardpan & river valleys. There are five major seasons, and droughts occur quite frequently and mongongo is the major plant food in the Dobe area. The Ju people live in grass huts formulated in a circle, creating miniature villages. These villages are easy to set up and relocate because they change locations depending on the season. They are comprised of 5 rings; each ring represented a different function to the village in order to keep daily life smooth running. The first part of the novel conveys an idea, in which the Ju ancestors were hunter-gatherers, or foragers, and that the Europeans came to their land in attempt to colonize them. Along with the Europeans, the Tswana herders were among the first to penetrate the area, and it is said that the Ju incorporated their political system.
Throughout the book, Lee portrays accounts referring to his personal experiences in Botswana. The story that is most prominent describes how Lee took a select few of the tribe to a mongongo grove so the people could pick nuts. And they did- they pick enough food to tame the hunger of ten people for fourteen days. This is extremely significant because the action of these individuals is the quintessence of what a hunger-gatherer really is. When foragers have the resources to get as much food as they can get their hands on, they would never pass it up, because there is no certainty of when the next abundance of nutritious food will be present.
The novel stresses the message that the Ju/'hoansi were extreme believers in allocating whatever they obtained with the rest of the village. They recognized over 100 kinds of wild plants as edible, ranging from what Lee deems to be as primary, minor, major, supplementary, rare and problematic. He explains exactly why mongongo is the most common element of their diet- because it is easily found, and is highly nutritious. The most proper demeanor for a hunter is to be modest in the Ju/'hoansi tribe. Although the Ju/'hoan believe they are doing well for themselves, Westerners think differently. They insist that their society is bound to fail because of their "steady work, steady leisure and adequate diet" (58). Another social aspect of the Ju/'hoan is that they have arranged marriages, that are decided when a child is born. The villagers have the utmost respect for the elders. Groups of people, not individuals own the land in a village and there is no headman or chief among the Ju people.
In the second half of the book, we learn of the cultural alterations that the tribe experienced. When social changes developed, education became more common, however the Ju/'hoan were very suspicious of the introduction of the scholastic system. Prior to the emergence of the education system, the Ju/'hoan had no perception of geography- they were unaware that they lived on a large body of land called Africa or that the large land of water located to the West was in fact the Atlantic Ocean. The Ju/'hoan culture soon became dependant on craft making as well as the buying and selling of beer. Today, the Johan have decreased their reliance on sharing, thus increasing the level of poverty. The development of the construction of their houses changed- they were now building semi-permanent mud-walled houses. In the 1990's the government stepped in, veering development towards the right direction, and even created drought-relief programs to help supply food. The emergence of other societies to the once nomadic life-style of the Ju/'hoansi tribe, has no longer placed them in solidarity, but has introduced new aspects of culture- some being beneficial to the Johan, and others leaving their traditions behind.

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[E336.Ebook] Download Ebook The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 3rd Edition, by Steven G. Laitz

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The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, 3rd Edition, by Steven G. Laitz

Beginning with music fundamentals, this text covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. The text links each of the tasks that comprise a tonal theory curriculum, explicitly connecting written theory (writing and analysis), skills (singing, playing, and dictation), and music-making outside the theory class.

DISTINCTIVE FEATURES
* Presents an outstanding quality, quantity, and diversity of exercises geared toward real music and real music situations
* Explores not only standard four-voice harmony, but also other musical domains including melody, counterpoint, and a multitude of textures; the result is a text with applicability and relevance to all musicians
* Includes almost 4,500 musical examples from the common-practice repertoire in the text and workbooks, more than 90 percent of which are on the CDs included with the text and workbooks--nearly twenty hours of music on MP3 files (all music is performed, recorded, and engineered at Eastman)

  • Sales Rank: #113026 in Books
  • Published on: 2011-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.50" w x 10.10" l, 3.90 pounds
  • Binding: Hardcover
  • 896 pages
Features
  • Textbook
  • CD included

Review

"The Complete Musician offers a depth of theoretical training and analytical insight that its competitors do not. It has, by far, the best musical examples of any textbook available on the market today. The exercises, which incrementally progress from easier to harder, are highly original and just plain fun to do."--Reginald Bain, University of South Carolina


"The integration of composition, analysis, aural recognition, and performance is the best feature of The Complete Musician. It subtly reinforces the idea that a musician needs an understanding of each aspect of the musical universe in order to excel in any of its specialized areas. The CompleteMusician trains music students to think like composers, which cannot help but make them better performers."--Ciro Scotto, University of South Florida


"The most comprehensive, musically intelligent, and easy-to-use music theory textbook on the market."--Stefan Eckert, University of Northern Colorado


"This title ranks among the very best of its kind. . . . If you want a thorough and approachable book that gets behind, or into the head (indeed, heart and soul) of composers whose music you've known; want to know how it works the way it does, and why; want to see the mechanics, an appreciation of which serves only to enhance your sense of admiration for their technique, then The Complete Musician can be recommended wholeheartedly."--Review from Classical.net


About the Author

Steven G. Laitz is Professor of Music Theory at the Eastman School of Music at the University of Rochester. He is also an Affiliate Faculty Member in the Chamber Music Department at Eastman. Dr. Laitz is the current editor of the Journal of Music Theory Pedagogy.

Most helpful customer reviews

5 of 5 people found the following review helpful.
As another reviewer also commented, the book has quite ...
By Amazon Customer
As another reviewer also commented, the book has quite a lot of errors. Several paragraphs and diagrams are ambiguous or confusing and can only be deciphered by consulting external sources, which makes this book very frustrating to read. The author strangely didn't choose to move basic material either entirely to the appendices or to cover it completely within the main chapters.

0 of 0 people found the following review helpful.
Previously a textbook rental volume. It's in excellent condition. A great value.
By Dan J
I'm coming mid-way into a music theory sequence, having just transferred universities. I was very pleased to find the book the class is using, the previous edition of a widely used music theory text. The volume was previously a textbook rental, at a very good price. I was a little concerned about the status of the book. However, the description was accurate. The pages are clean and the binding very sound. It's in essentially "new" condition. I'm very pleased.

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Get the 3rd edition!
By Oliver
It's a nice book to learn music theory. Everything is very detailed in the book. We use this book as taxt book in Davis. Although this is a used one, it watchable and not bad at all. There is nothing major changes between the newest edition and this one, but this one is a lot cheaper. So get the third edition!

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After tragedy strikes their family, Emily and Navin move with their mother into the old, mysterious home of their great-grandfather. On their first night in the strange house, Emily and Navin's mom is kidnapped by a tentacled creature. Determined to rescue her, Emily and Navin are led into a world of robots, talking animals, flying ships, new friends . . . and enemies. Emily learns that she is a Stonekeeper and essential to the survival of this world, and that her incredible story is only just beginning.

  • Sales Rank: #1834 in Books
  • Published on: 2016-10-25
  • Released on: 2016-10-25
  • Original language: English
  • Number of items: 7
  • Dimensions: 9.20" h x 3.70" w x 6.10" l, .0 pounds
  • Binding: Paperback

Review
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For courses in Engineering Graphics/Technical Drawing and Drafting/Technical Sketching. This authoritative text provides a clear and comprehensive introduction to Technical Drawing and provides instruction to help students create 2D drawings by hand or by using Computer-Aided Drafting. It provides excellent technical detail, up-to-date standards, real-world examples and clearly explained theory and techniques

  • Sales Rank: #780128 in Books
  • Published on: 2008-05-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.19" h x 1.44" w x 8.63" l, 4.40 pounds
  • Binding: Hardcover
  • 912 pages

From the Publisher
Technical Drawing is the authoritative text on drawing and graphics-- its complete coverage has successfully trained students for 60 years and still dominates the market. Technical Drawing has the best set of fully machinable working drawings--now updated to reflect current ANSI standards. The Tenth Edition has been redesigned to appeal to today's visually oriented students, but retains the practical step-by-step explanations of procedures and excellent problems that has made this book so successful in past editions.

From the Inside Flap
Preface

ABOUT THIS BOOK

Over the last sixty years, Technical Drawing has taught well over a million students the practices and techniques of graphical communication. Both instructors and their students have come to depend on this text as the authority on the subject, and most students have used this book as a professional reference long after they have finished taking this course. Why has this book been so successful? First, the main goal of the text has always been to explain each principle so clearly that the student is certain to understand it, and to make the text interesting enough to encourage all students to read and study on their own. Second, this book has also had what are unquestionably the best, most detailed, and accurate set of drawings on the market. A student skilled with this book's drawings will have a full repertoire of graphical skills in his or her hands. Lastly, Technical Drawing continually has sought to address the new technologies and the skills that constantly change this field. By doing so, this text prepares students to enter the marketplace and face the challenges of a rapidly changing playing field.

THE ELEVENTH EDITION

The Eleventh Edition of Technical Drawing continues to offer the best coverage of basic graphics principles available. Edition after edition, this text serves as the authoritative source on the subject. With this new version, we have acted upon the requests of over 30 reviewers to improve certain aspects of the book while preserving its core presentation. In particular, this new volume features:

Greatly increased coverage of the design process in Chapter 14. This chapter now includes coverage of 3D solid modeling, and parametric or constraint-based modeling. Thoroughly revised chapter on manufacturing processes. We especially thank Professor Serope Kalpakjian of the Illinois Institute of Technology and the author of Manufacturing Engineering and Technology for his assistance with this chapter. Over 50 brand new questions /problems. These problems feature parts that come from a variety of industries. Material on Instrumental Drawing and Lettering condensed to one chapter. New coverage of Geometric Dimensioning and Tolerancing. Extensive updating of text graphics to comply to most recent ANSI standards. New "Graphics Spotlights" feature that highlights a particular use of graphics in industry. A decrease in the overall size of the book. Instructors have told us that students are finding books too large. However, they want their students to have access to important reference material. To achieve both these goals, we have eliminated the chapters on Graphs and Diagrams and Alignment Charts included in the last edition, and included them in Adobe pdf format on a free CD. This CD also contains over 30 animations of graphics concepts. Updated web site http-//prenhall /giesecke now includes even more questions for review, as well as a new feature available for January of 2000 that lets professors create their own on-line syllabus. Using a simple interface, instructors build a graphic assignment list and use it to interact with their class over the web. This site also features links to other graphics related areas, a selection of animations available for class instruction or student review, an exploration of VRML technology, a case studies exploring how graphics communication is handled at an engineering company, and more. This site will be a constant resource to help instructors and students remain as current as possible. Eight -Page Color Insert. To give students a feel for how color is often used in CAD software and other technological processes, but without overloading and obscuring the book's core content, we have included an eight-page color insert.

SUPPLEMENTS

INSTRUCTOR'S MANUAL WITH SOLUTIONS/RESOURCE CD

This new manual prepared by Tom Kane of Pueblo Community College includes outlines, teaching tips, extra quiz questions, and other tools designed to aid in class preparation. In addition, this manual comes with a new CD-ROM containing answer files for over 450 Giesecke drawing problems. The problems are in both dwg and dwf form for easy electronic access and display. This CD also includes pdf files of all art in the text for quick integration in course web pages. Instructors have long asked for this supplement and we are happy to provide it with the new edition.

WORKBOOKS

Three workbooks with additional problems are available. These workbooks are fully class tested for effectiveness and relevance to the course. They range from having more traditional problems to more modern approaches. Engineering Drawing, Problem Series 1 (ISBN 0-13658536-1): Contains traditional, mechanical workbook problems. Engineering Drawing, Problem Series 2 (ISBN 0-13658881-6): Contains traditional problems with an emphasis on engineering concepts. Engineering Drawing, Problem Series 3, New 2nd Edition (ISBN - 0-13-025954-3): The new edition of a workbook by Paige Davis and Karen Juneau of the Louisiana State University. This book contains modern problems, as well as an extensive CAD based project, and comes with its own disk of starter CAD files.

WORLDWIDE WEB SITE — prenhall/giasacka - AVAILABLE WITH SYLLABUS BUILDER FOR JANUARY 2000

In order to provide instructors and their students with the most exciting information available, Prentice Hall has created the Giesecke Web Site. This site now includes even more questions for review, as well as a new feature available for January of 2000 that lets professors create their own on-line syllabus. Using a simple interface, instructors build a graphic assignment list and use it to interact with their class over the web. This site features links to other graphics related areas, a selection of animations available for class instruction or student review, an exploration of VRML technology, a case study exploring how graphics communication is handled at an engineering company, and more. We hope it will be a constant resource to help instructors and students remain as current as possible.

PRENTICE HALL NEW YORK TIMES SUPPLEMENT

A bi-annual, free collection of articles excerpted from The New York Times covers areas of interest to freshman engineers and drafting students. Contact your Prentice Hall sales rep for a free supply of these supplements.

BUNDLES

To make the cost of purchasing several books for one course more manageable for students, Prentice Hall offers discounts when you purchase this book with several other Prentice Hall textbooks. Discounts range from up to 20% off the price of the two books purchased separately. At press time, you may bundle this text for discounts with several of our CAD books, including our new AutoCAD 2000 titles Discovering AutoCAD 2000 by Dix/Riley, and AutoCAD 2000 — One Step at a Time (either the Basics or Advanced version) by Timothy Sean Sykes. You may also bundle this book with several books based on older releases of AutoCAD. Users of Pro/ENGINEER, I-DEAS, or SolidWorks may choose to bundle with books by Robert Rizza, Sheryl Sorby, or Robert Lueptow. To request more specific and up-to-date pricing information, get ISBN's for ordering bundles, and learn more about Prentice Hall's offerings in graphics and CAD, either contact your Prentice Hall Sales Rep, or go to prenhall/cadgraphics/. For the name and number of your sales rep, please contact Prentice Hall Faculty Services at 1-800-526-0485.

From the Back Cover

The Twelfth Edition of Technical Drawing continues to offer the strongest coverage of basic graphics principles. Edition after edition, this text serves as the authoritative source on the subject. With this new edition, we have acted upon the requests of 10 reviewers and 75 survey respondents to improve certain aspects of this book while preserving its core presentation.

In particular. the new edition features:

  • New Instructor System: Contains Instructor's Resource Guide in bath hardcopy and MS Word files. 400 question concept testbank in hardcopy in MS Word, pdf files of text art, MS PowerPoint slides of key figures, and AutaGAD files of solutions.
  • www.prenhall.com/giesecke: Updated to contain over 35 large format, Flash and Windows Media Player animations of concepts keyed to sections/figures in the text, Self-Grading Concept Questions—T/F, multiple choice, and fill-in-the-blank questions for each chapter. Essay Review Questions—answer questions from the text on-line and email to an instructor. Reference Chapters an Graphs, alignment Charts, Empirical Equations and Graphical Mathematics, Glossary of Terms, Chapter Summaries and Objectives, Links—a robust links section on GAD and technical drawing, PowerPoint/PDF files of art from the text; and Edrawings—a new solid modeling technology that lets you view, rotate, and annotate solid models without any special software.
  • New four-color signature of key drawing techniques/illustrations
  • Content Updates throughout including many new Graphics Spotlight features on topics such as idea generation. Internet drawing communication, and using graphics to design surfboards.
  • New Drawings problems at the end of many chapters and new screen captures throughout the book.
  • All art completely rechecked far accuracy.

Most helpful customer reviews

0 of 0 people found the following review helpful.
... to do with the book - it came in great condition - my problem was I ordered two books ...
By Joey Tilelli
This rating doesn't have anything to do with the book - it came in great condition - my problem was I ordered two books and only got one. Understanding things can get mixed up in transit (or whatever), I waited a month or so before sending an email asking about the book. I was hoping to get a quick response but never got one (I think?). It is what it is. Anyway, this is an awesome book for anybody looking for an introduction to drafting standards/methods; I highly recommend it to anyone who is serious about a starting position in the technical/mechanical drafting field. The book offers a lot of great visualization exercises that involve different follow-along practice methods for complex modeling.

2 of 2 people found the following review helpful.
Not real happy
By Mike M
The book arrived on time and for that I have no problem, the shipping service worked great. My unhappyness results from the book not being complete. During a recent classroom session we were directed to turn to the appendix, imagine my dismay when the appendix was not in the book. A further review of the book revealed several of the photos were not present and in place of the photo "FPO" in place of the graphics.

3 of 3 people found the following review helpful.
Excellent text for technical drawing
By Julian Gardner
This book is an excellent reference for anyone needing an introduction to or a reference for technical drawing. Most of the content concerning machine component drawings are geared (no pun intended) more toward traditional methods for technical drawings (i.e. compass, ruler and pencil), but the methods given are well suited to modern computer-oriented methods of solid modeling. Engineers in the manufacturing industry will find it especially useful, as it can be a helpful reference for weldment drawings.

See all 28 customer reviews...

Technical Drawing (13th Edition), by Frederick E. Giesecke, Alva E. Mitchell, Henry C. Spencer, Ivan L. Hill, John Thomas Dygdon, James E. PDF
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